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Sua Sulu'ape Paulo II
Su'a Sulu'ape Paulo II ( – 25 November 1999) was a ''tufuga ta tatau'' (master tattooist) born in born in Matafa'a near Lefaga,〔Sean Mallon (2010) "A Living Art": an interview with Su'a Sulu'ape Paulo II in Tatau: Samoan Tattoo, New Zealand Art , Global Culture by Mallon, S., Brunt, P. and N. Thomas (eds) 51-61, Te Papa Press; Wellington〕Samoa but based in New Zealand since the 1970s.〔(), Art New Zealand magazine, Issue 109, Exhibitions Wellington, article by Natalie Robertson and Neil Pardington〕 He was born and into one of the leading families of tattooists ''tufuga ta tatau'' in Samoa. The tattooists in these families, are loosely organized in a guild like system of master and apprentices. In the late 20th and early 21st centuries ''tufuga ta tatau'' were known internationally for their culturally distinctive and highly skilled work. The word tattoo is believed to have originated from the word ''tatau''. In Samoan mythology the origin of the tatau is told in a legend about two sisters, Tilafaiga and Taema who brought the tools and knowledge of tattooing to Samoa. The Samoan male tattoo (tatau) is the pe'a. The female tatau is the malu.
== Early career==
Sulu'ape Paulo's father was Sulu'ape Paulo I, who was a well established tattooist in Samoa. Paulo's brothers Su'a Sulu'ape Petelo, Su'a Sulu'ape Alaiva'a Petelo and Su'a Sulu'ape Lafaele are respected master tattooists today. In his teenage years, Paulo was a student at Chanel College, a Catholic () school near Apia. He began tattooing in 1967, and migrated to Auckland, New Zealand in 1973. Paulo would work during the day and tattoo in the evenings and on weekends for a growing local Samoan community. He tattooed several prominent Samoans from this community including artist Fatu Feu'u and activist and lawyer Fuimaono Tuiasau. He also tattooed well known New Zealand artist Tony Fomison〔Brunt, Peter (2005) ‘The Temptation of Brother Anthony: Decolonisation and the tattooing of Tony Fomison’, in Tatau/Tattoo: Bodies, Art and Exchange in the Pacific and Europe, eds. Nicholas Thomas and Anna Cole, London: Reaktion Press, pp. 122-44.〕〔() Tatauing the Post-Colonial Body, a paper by Albert Wendt, originally published in Span 42-43 (April–October 1996): 15-29〕 and developed strong connections with Maori, the indigenous people of New Zealand.〔Sean Mallon (2010) "A Living Art": an interview with Su'a Sulu'ape Paulo II in Tatau: Samoan Tattoo, New Zealand Art , Global Culture by Mallon, S., Brunt, P. and N. Thomas (eds) 51-6, Te Papa Press: Wellington〕
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